Rough Cut Reviews

In Love Is Overrated (L’Amour, c’est surcoté), a sharp, offbeat romantic comedy hitting UK cinemas this Wednesday, Laura Felpin and Hakim Jemili form a high-energy, refreshingly unconventional couple. Directed by Mourad Winter and adapted from his own book, the film blends biting humour with emotional honesty. We sat down with the trio behind this vibrant debut — Felpin, Jemili and Winter — to talk about laughter, love, and breaking the rules of rom-coms.

Anis, played by Jemili, has never really understood women. One evening, he crosses paths with Madeleine (Felpin). He’s awkward but endearing; she’s blunt and bold, immediately turning their first encounter into a battle of wits and flirtation. Anis, instead of playing it straight, gets tangled in an escalating series of absurd lies, convinced he needs to reinvent himself to impress her. Around them, the film’s supporting characters — from Madeleine’s quick-tongued friends to her sarcastic father, portrayed by François Damiens — treat banter like a lifestyle. And then there’s Paulo (Benjamin Tranié), who turns politically incorrect jokes into a kind of performance art — nothing and no one is off-limits.

Winter’s approach is anything but restrained. For his first feature film, adapted from his 2021 novel published by Robert Laffont, he dismantles social niceties with sharp, unapologetic humour. Love Is Overrated isn’t afraid to poke fun at prejudice, fear, and even itself. The result is often laugh-out-loud funny — but it doesn’t stop there.

Beneath the surface, the film offers an unexpected depth. Winter dares to explore male vulnerability and the anxieties surrounding intimacy. Through Anis’s emotional chaos, he paints a touching portrait of a man struggling with self-image and the fear of truly connecting. This blend of comedy and sensitivity earned the film a special jury mention at the Alpe d’Huez Comedy Film Festival earlier this year.

For Laura Felpin, who’s been rising steadily on both stage and screen, this project marks a turning point: “The older I get, the more I realise how essential humour is,” she reflects. “It’s not just about making people laugh — it’s about coping, connecting, surviving.”

Hakim Jemili, meanwhile, embraces the chaos of his character with relish. “Anis is a mess — but a loveable one,” he says. “We all invent versions of ourselves when we fall in love. He just takes it a bit too far.”

As for Mourad Winter, Love Is Overrated is more than a romantic comedy — it’s a manifesto. “I wanted to strip away all the clichés,” he explains. “To show the comedy in pain, the truth in nonsense. Sometimes, being honest means being ridiculous.”

If this film is anything to go by, audiences will be seeing much more from this creative trio — and not just in the realm of romantic comedy. With humour, heart, and a healthy disregard for convention, Love Is Overrated is a breath of fresh air in French cinema.

When Nativity! hit UK cinemas in 2009, it quickly became a festive favourite thanks to its heartwarming story, laugh-out-loud moments and an endearing cast of schoolchildren. Among the standout characters was Bob, played by Ben Wilby, whose comedic dance moves and charming screen presence left a lasting impression on audiences.

Fourteen years later, Ben is no longer the cheeky seven-year-old who lit up the screen with pelvic thrusts and breakdancing. Now 21, he’s grown into a confident young man with a muscular build and sandy blonde hair, though his playful smile still echoes the boy fans remember.

Recently, Ben made an appearance at the Heart Breakfast radio studio, auditioning in front of Amanda Holden for the station’s upcoming Christmas production. He follows in the footsteps of stars like Leona Lewis, Tom Fletcher, and Ashley Roberts, continuing to stay active in the entertainment world.

The original Nativity! film followed the story of a primary school teacher who gets himself in a bind after falsely claiming that a Hollywood producer is coming to watch his class’s nativity play. Rather than admit the truth, he carries on the ruse with the help of an eccentric teaching assistant. The film became such a success that it spawned two sequels: Nativity 2: Danger in the Manger! and Nativity 3: Dude, Where’s My Donkey?, all of which featured Ben Wilby reprising his role.

Ben later pursued formal training at Emil Dale Academy in Cambridge, a performing arts school known for preparing students for careers in acting. He has also found a new platform in TikTok, where he enjoys a following of over 80,000 fans. On the app, he often reminisces about his time in Nativity!, sharing behind-the-scenes insights and updates from his life today.

In one of his videos, Ben explains how he landed the role of Bob through an agency looking for “chatty kids who could dance and sing a little.” That unique blend of confidence and charisma made him an instant standout during casting.

Ben wasn’t the only young actor from Nativity! to stay in the public eye. Krista Hyatt, who played Becky, is now 25. Before the film’s release, she had already gained national attention as one half of the dance duo The Cheeky Monkeys, who reached the final of Britain’s Got Talent.

Charlie Dixon, who portrayed Thomas from the rival private school Oakmoor, also shared the screen with Krista. Meanwhile, Maeve Dolan – known for always wearing a stripy hat in the film – gave an unforgettable audition with her rendition of “Teenage Dirtbag”. Now 23, she’s reportedly studying at a university in London and regularly posts content on TikTok, where she chats about everything from knitting to Teen Wolf and university life.

While the children of Nativity! have clearly grown up, their roles continue to hold a special place in the hearts of fans who revisit the film each Christmas. And with many of them pursuing careers in entertainment, it’s clear the festive classic was only the beginning of their journey.

Following announcements of international home releases, detailed information has now been revealed for the German market release of Captain America: Brave New World (USA/Canada, 2025). Walt Disney Studios Home Entertainment, in collaboration with Leonine, will distribute the Marvel superhero film directed by Julius Onah on 23 May 2025. The movie stars Anthony Mackie, Harrison Ford, Danny Ramirez and Shira Haas in leading roles.

The Blu-ray edition will include a German Dolby Digital Plus 7.1 audio track, while the Ultra HD Blu-ray will be available in a limited-edition Steelbook featuring Dolby Atmos sound in English and Dolby Vision support. Bonus features will include deleted scenes, an audio commentary by Julius Onah and Kramer Morgentha, outtakes, and two behind-the-scenes featurettes: Taking the Lead and Old Scores, New Scars.

In addition, a 4-disc Blu-ray box set will be released, compiling the full Captain America saga: The First Avenger (2011), The Winter Soldier (2014), Civil War (2016), and Brave New World (2025), packaged in a standard Keep Case. A 4K “4-Movie Collection” will also be available, presented in four softbox editions housed in a slipcase.

Plot Overview

Set in the aftermath of recent MCU events, Brave New World follows a major discovery during the exploration of the newly emerged landmass known as Tiamut. Scientists uncover a rare metal, Adamantium, which surpasses even the legendary Vibranium in its near-indestructible properties.

The find triggers a global race to claim ownership of the resource. Determined to prevent other powers from gaining access, newly elected U.S. President Thaddeus Ross (played by Harrison Ford) takes an aggressive stance. His objective: to revive and upgrade the Weapon Plus programme, using Adamantium to build a new generation of super-soldiers.

Standing in opposition to this dangerous plan is the new Captain America, Sam Wilson (Anthony Mackie). With support from allies such as the new Falcon, Joaquin Torres (Danny Ramirez), and Sabra (Shira Haas), Wilson seeks to halt Ross’s militaristic ambitions. The team also aims to stop Ross’s chief scientist, Samuel Sterns (Tim Blake Nelson), who plays a crucial role in the project.

However, President Ross’s hunger for power leads him to increasingly extreme actions, leaving even his own daughter, Betty Ross (Liv Tyler), powerless to intervene. Behind the scenes, a secret criminal organisation is fuelling the conflict, intent on pushing the world into chaos.

Captain America: Brave New World is poised to deliver action-packed drama and political intrigue, adding new depth to the Marvel Cinematic Universe when it arrives on home entertainment platforms in May 2025.

Penny Branning has quickly become a familiar face on EastEnders, thanks to the arrival of actress Kitty Castledine, who stepped into the role as part of the well-known Branning family. Penny’s return to Albert Square earlier this year marked a significant twist in the soap’s storyline, with plenty of drama unfolding almost immediately.

The character Penny Branning is the daughter of long-standing EastEnders figure Jack Branning, and she arrived in Walford alongside her cousin Lauren Branning, portrayed once again by Jacqueline Jossa. Not long after her arrival, Penny became entangled in a serious situation involving drug smuggling. While she was asked to bring drugs into the UK, she instead planted them on Lauren, who was subsequently caught and faced potential prison time. The incident sent shockwaves through the Branning family, placing Penny firmly at the centre of the action.

Kitty Castledine’s casting has drawn considerable attention, not just because of her strong debut performance, but also due to her impressive real-life connections. Kitty comes from a well-known family with ties to both sport and television. Her mother is Lucy Alexander, best known for presenting Homes Under The Hammer, a popular BBC property show. Lucy was quick to express her pride on social media following the news of Kitty joining EastEnders, describing it as a major moment for their family.

Kitty’s father and brother are both involved in football, adding to the public profile of her family. Additionally, Kitty herself has developed friendships with notable figures from ITV, expanding her network across the British entertainment scene.

Speaking about her role, Kitty shared her excitement about being cast so soon after graduating from drama school. “I didn’t expect to start my EastEnders journey so soon after finishing training – it still doesn’t feel real,” she said. “My whole family are lifelong fans of the show. I remember watching it with my Nanny Kay when I was little, and now they’re watching me on screen. It’s incredibly special.”

As a wheelchair user, Kitty has also highlighted the importance of disability representation on screen. She’s particularly proud to play a dynamic, independent character like Penny. “The inclusion of disabled talent on television is something I care deeply about,” she added. “Penny is feisty and cool – she’s thrown into the drama right away, and I’m so excited to see where her journey takes her.”

Kitty’s portrayal has already been praised for bringing a fresh energy to EastEnders, while also opening the door to more inclusive storytelling. With her personal charisma and a storyline packed with tension and emotion, Penny Branning looks set to become a central figure in the soap’s evolving narrative.

And for Kitty Castledine, this marks just the beginning of what promises to be a bright career in British television.

Emmerdale fans have been left on the edge of their seats following a shocking episode in which Cain and Moira Dingle were caught in a barn explosion. The intense scenes aired on Wednesday night, with viewers still uncertain about the fate of the much-loved couple.

The dramatic sequence unfolded as flames engulfed Moira’s barn, trapping her and Cain inside. The pair were shown desperately trying to escape as the fire rapidly spread, causing panic among their friends and family who watched on helplessly from outside.

Earlier in the episode, Ruby Miligan was rescued from the blaze by Mackenzie Boyd and John Sugden. After ensuring Ruby was safe, they remained outside the barn along with Cain’s siblings, Caleb Miligan and Chas Dingle, hoping the others would make it out alive.

Cain, realising Moira hadn’t escaped with the others, rushed back into the burning building to find her. He eventually located his wife, and the couple began their frantic attempt to get out. In a touching moment amidst the chaos, Moira confessed her love to Cain, a poignant reminder of their emotional journey despite recent marital difficulties.

In a desperate bid to survive, Cain grabbed a large blanket to shield them from the intense heat and flames. Wrapping Moira and himself in the fabric, they attempted to navigate their way towards the barn’s entrance. Outside, their loved ones looked on, waiting anxiously for any sign of them.

Just as it seemed there might be a chance of escape, the barn exploded in a massive fireball. The blast was powerful enough to throw those outside to the ground. Cain and Moira were still inside at the moment of the explosion, leaving their fate uncertain.

Fans immediately took to social media to share their theories, with many fearing the worst. Some viewers believe the explosion could mark the end for one or both characters, speculating that the show may be preparing for an emotional exit.

Cain and Moira are two of the soap’s most iconic characters, and their potential departure would mark a significant shift in the storyline. Neither actor has confirmed any plans to leave Emmerdale, which only adds to the suspense and speculation surrounding the storyline.

The show has a history of delivering dramatic twists and turns, and this latest cliffhanger is no exception. With the next episode yet to reveal whether Cain and Moira survived, fans are eagerly awaiting answers.

What lies ahead remains to be seen. Whether this explosive event leads to tragedy or miraculous survival, it’s clear that Emmerdale is not holding back on high-stakes drama. Until more is revealed, viewers will have to sit tight and hope for a positive outcome for the Dingles.

The opening film of the 75th Berlinale, The Light, follows a Berlin family and their Syrian housekeeper on a journey of self-discovery. Director Tom Tykwer pushes his fascination with the esoteric to the limit—only to stumble spectacularly.

Everything happens at once, and everything is somehow interconnected. This is made clear right from the start of Tykwer’s The Light, which was chosen to open this year’s Berlinale. The film’s opening montage, accompanied by a softly advancing string score, introduces the affluent but emotionally detached Engels family, living in a spacious period apartment in central Berlin. Though they reside under the same roof, they largely exist in isolation from one another. Tykwer leans heavily into clichés as he sketches out their parallel lives.

VR Loneliness and Party Affection

Mother Milena (Nicolette Krebitz) frequently flies to Kenya, where she is overseeing the construction of a theatre funded by ministry grants. Even when she is in Berlin, she remains absorbed in her phone, her mind elsewhere. Father Tim (Lars Eidinger) spends his days sprawled on a leather sofa in his advertising agency, endlessly explaining the world to those around him in a classic display of “mansplaining.” Their 17-year-old daughter Frieda (Elke Biesendorfer) drifts through Berlin’s nightlife in a haze, entangled in drug-fuelled embraces with her friends, while only expressing disdain for her parents. Meanwhile, her twin brother Jon (Julius Gause) barricades himself in his chaotic room, immersing himself in a complex virtual reality game.

Amid this dysfunction, the family’s Polish housekeeper suffers a fatal heart attack, lying unnoticed in the kitchen for hours before her self-absorbed employers finally discover her body. Enter Farrah (Tara Al-Deen), a Syrian refugee who lives in a shared apartment with other displaced women and carries a mysterious past. She eventually becomes the Engels’ new housekeeper, introducing an unusual therapy involving a flickering “magic lamp,” which appears to give the film its title. When directed at the face with closed eyes, this strobe-like light is said to induce altered states of consciousness.

Eidinger Strips Down

It rains. And rains. And rains. Tim repeatedly enters the flat, dripping wet in a sodden rain poncho, leaving a trail of water in his wake. At other times, he strips completely naked upon arrival and spends the rest of the evening parading around the apartment unclothed. Anyone who previously dismissed the stereotype of Lars Eidinger’s penchant for on-screen nudity will find no counterarguments here. But why all the rain? The answer, revealed at the film’s end, is a painfully sentimental and politically fashionable twist, best left undisclosed.

“Schlaumeier,” Tim remarks to Farrah at one point, when she explains the dynamics of his family to him. He means it kindly, though with a hint of condescension. Yet, Farrah soon becomes a wise confidante to all four family members. Each, in their own way, hopes for a fundamental change in their lives and relationships. They all seek self-discovery, and each eventually confides their deepest secrets to Farrah—or only comes to realise them through their interactions with her.

Farrah Has Her Own Agenda

However, Farrah has an agenda of her own—though revealing it would be a spoiler, despite the fact that the film’s direction soon becomes apparent. Suffice it to say, her magic lamp plays a pivotal role in guiding the family toward a different state of being.

It is not just Farrah who plays the role of the all-knowing “Schlaumeier”—director and screenwriter Tykwer does the same, weaving intricate connections between all elements of the story. Yet, in doing so, he completely overreaches. This applies not just to the film’s philosophical scope, but also its sheer length: The Light runs for a staggering 162 minutes.

The Loss of Playfulness

Tykwer has always had a leaning towards the esoteric. His breakout film, Run Lola Run, which followed Franka Potente’s character through three variations of events in an attempt to save her boyfriend, was ultimately an experiment in parallel realities. Similarly, Cloud Atlas, co-directed with the Wachowskis, spanned multiple centuries to explore mystical connections between lives.

However, where Tykwer’s earlier films combined weighty themes with an element of playful curiosity, The Light lacks this quality. Instead, it drifts into self-indulgent sentimentality. Overly enamoured with its own ideas and references, Tykwer’s latest opus becomes a grand, self-referential spectacle—one that ultimately loses its way.

As the third season of Clarkson’s Farm premieres on Amazon Prime Video, viewers once again get an intimate look at the rural adventures of Jeremy Clarkson and his partner, Lisa Hogan, at Diddly Squat Farm. Their relationship has sparked curiosity among fans, particularly regarding the age gap between them.

Lisa Hogan, an Irish former model and actress from Dublin, is currently 50 years old. She attended Alexandra College in Milltown and has built a diverse career, working as a model, artist, and actress. In 1997, she was selected by actor John Cleese to feature in the comedy film Fierce Creatures, marking a significant moment in her career.

Jeremy Clarkson, on the other hand, was born in April 1960 in Doncaster, making him 64 years old. Before becoming a household name, he helped his parents sell Paddington Bear toys—a venture that eventually led to their financial success. His rise to fame as a journalist and television presenter is well documented, with his tenure on Top Gear cementing his reputation as one of Britain’s most recognisable media personalities.

Despite a 14-year age difference, Jeremy and Lisa’s relationship has gone from strength to strength since they were introduced by mutual friends at a party in 2017. While they come from different backgrounds, their shared experiences at Diddly Squat Farm have brought them closer, navigating both the rewards and difficulties of rural life together.

The upcoming season of Clarkson’s Farm sees Lisa facing new hurdles as she takes charge of the farm shop. Land agent Charlie Ireland issues a stark warning about potential legal consequences should she continue selling products from outside a 16-mile radius. The regulation presents a significant challenge to the farm’s business model, and Lisa finds herself at a crossroads.

In a candid admission ahead of the new season, Lisa revealed she was prepared to take a legal risk for the team. “I was willing to take one for the team, literally,” she stated. “You pay so much in business rates and taxes, and then the same system uses that money to fight against you—it doesn’t make sense.”

Despite the obstacles, Lisa remains pragmatic about the situation, acknowledging an unintended benefit from the strict local sourcing rule. “It seems like an odd approach,” she remarked. “But in a way, the council has actually done me a favour. If it weren’t for their restrictions, I wouldn’t have discovered half of my suppliers. I had to dig deep to find businesses within 16 miles, and that’s been a silver lining. But I do think they sometimes overreact.”

With Clarkson’s Farm returning to screens, fans can expect more drama, humour, and insight into the trials and triumphs of life on Diddly Squat Farm. As Jeremy and Lisa continue to navigate the ever-changing landscape of farming regulations and business challenges, their partnership remains a central part of the show’s charm.

Hollywood legend Robert De Niro returns to the silver screen in The Alto Knights, portraying two iconic and rival Mafia bosses, Frank Costello and Vito Genovese. Once close friends, their relationship unravels into a ruthless power struggle fueled by jealousy and betrayal, shaking not only New York’s criminal underworld but also the entire nation.

The film is directed by Academy Award-winning filmmaker Barry Levinson (Rain Man) and penned by Mafia genre veteran Nicholas Pileggi (Goodfellas), promising a gripping narrative with a deep dive into the complexities of loyalty, power, and retribution.

Joining De Niro in the cast are Debra Messing (Will & Grace), Cosmo Jarvis (Shōgun), and Kathrine Narducci (The Irishman), adding depth and talent to the star-studded ensemble.

The Alto Knights is set to premiere in German cinemas on March 20, 2025, with its U.S. release following a day later on March 21. Fans of the Mafia film genre and De Niro’s iconic performances can expect a dramatic, action-packed experience that captures the tension and turmoil of a bygone era.